A Weekend Home

by Rebecca Huggins

Peter watched the smoke furl, blending seamlessly with the rich, white clouds that filled the blue sky, the train disappearing into the tunnel, almost as quickly as it had come.  It was always the same; he’d see the train, far off in the distance, a simple haze in the heat of the summer afternoon.  He’d hear its warning whistle as it slowly approached, the ground trembling in anticipation, his heart beginning to quicken at the sight of the lumbering giant hovering ominously in the distance.  Time would go on forever as he’d wait, watching the metal giant slowly grow—bigger and louder, more threatening still—until at last it would speed past him, leaving him behind, as a tiny dot in the distance, slowly disappearing.  This strange love of trains had begun when he was quite young, and being that he was only twelve, he quite honestly had loved trains ever since he could remember.  They were comforting with their rhythmic bumps as they ran over the old, metal tracks, yet altogether frightening with their speed and inertia.  Perhaps what was most comforting to Peter about these large, metal creatures, was their inability to alter their own courses; they were—unlike cars, which tend to be subject to their master’s every will and whim—set on tracks; tracks which they had to follow and from which they could never deviate.  And with the uncertainty of Peter’s life, a life that consisted of tracks and predestined turns was quite appealing to the twelve-year-old.

Peter was, for all intents and purposes, an orphan, though he does not really fit any preconceived ideas you may already have about orphans; nor did he reside in an old, badly kept orphanage with creaking floorboards and rusty pipes.  Peter lived as he deemed fit and had acquired over the years, a family for every day of the week—or at least most  days of the week, because he would spend the weekends in his Weekend Home, a small, forgotten corner beneath the train tracks, next to a tiny little stream.  He tended to spend a great deal more of his time here, alone, thinking about things that most twelve year olds rarely have time to think about as they usually spend any spare time talking with friends, playing sports, getting into trouble, watching T.V., or playing a video game.   Yet Peter was a solitary boy, who preferred spending his time at the railroad, watching the trains.


 His Monday Family were the Günter’s.  They were a practical family, who lived in a suburban neighborhood and drove American cars and bought everything in their home from the large supercenter around the block.  Mr. Günter was an electrician and Mrs. Günter stayed home with her two children—Emily, five, and Richard, eight.  Mrs. Günter spent her days gardening and shopping at the supercenter, hauling around the children in her American mini-van, and on Sundays the family would go to church and cookout in the evenings.  The Günters worked like clockwork, just like the metal trains that Peter loved so much, never changing, never altering from their course, repeating and repeating, day in and day out.

The children, Emily and Richard, seemed to have mixed feelings about the boy that Mr. and Mrs. Günter had taken in to their home.  Richard, in particular, did not like Peter, as they were complete and total opposites.  The freedom which Peter had, Richard sought, and the stability that Richard had, Peter longed for.  The two very rarely saw eye to eye, and would spend Monday meals eating in silence, with Richard asking the same old questions he asked every Monday night at dinner: “Why is he here?”  “Why do you guys let him stay with us?” “Where does he come from?” All the questions they’d answered hundreds of times before, and whose answers would never change.  

“Peter will be with us for a while, son.  He is lonely, and needs a place to stay.”  

Yet the simple fact that Richard continued to ask these questions suggested that he hoped one day the answers would change, or that he was, in fact, the product of an unchanging home, and no matter how much he longed for change, he would always lead a life of consistency.

Little Emily would spend most of the meal staring at Peter in silence, her eyes wide, her mouth full of one vegetable or another.  She had not spoken to Peter since he’d adopted the Günters as his Monday Family.  And as dull as it all may sound, Peter enjoyed the routine dinners, he liked helping Mrs. Günter clean up the dishes, and he especially liked going to sleep in his own bed—though it was technically Richard’s old bed, and quite a bit too short for Peter’s long, lean legs.  He liked how Mrs. Günter would tuck him in every Monday night and gently kiss him on the cheek—a soft, almost intangible kiss that seemed hardly real to Peter, but was enough to make him smile, as she wished him pleasant dreams.  He liked how Mr. Günter patted him on the back and promised to play ball with him one day.  And while it was an empty promise—one that Mr. Günter never truly planned on honoring—the promise was all that Peter really wanted, and he would go to sleep, pretending he was a Günter and that this was his home, the home he’d been born into, the home in which he’d always belonged— not the cold, lonely corner beneath the train tracks.

Peter’s Tuesday Family was the Beardsleys.  They lived on the opposite side of town in a small, historical home that had seen much better days.  It had not suffered many of the updates that most historical homes had seen, as the Beardsleys wandered about by candlelight at night, and drew  their water from an old well for cooking and for their baths—which were rare occasions, as the Beardsley family only bathed on Sundays. Peter was quite glad that the Beardsleys were his Tuesday Family, as opposed to his Sunday Family, as he’d heard they all took turns holding a large bucket over each other’s heads and scrubbing madly at themselves, rubbing off the built-up grime and dirt that covered their skin.  Mr. Beardsley was a professor at the local university and taught physics.  Mrs. Beardsley was an animal activist, and spent her mornings cutting coupons out of the local newspaper.  They had three children; Marigold, seven, Benjamin, six, and Lucy, three.  The children paid very little attention to Peter altogether, and really, the only person who seemed to notice Peter at all was Mrs. Beardsley, who would offer Peter organic cookies and freshly squeezed prune juice every Tuesday morning.  Mr. Beardsley would work well into the evening, and never came to kiss Peter goodnight at the end of his busy day.  Rather, he’d spend long hours in his study, listening to an old record and grading students’ papers.

Peter recalled the very first time he’d met Mrs. Beardsley.  It was actually in her garden, where she was busy meditating.  It was fall then and the leaves had already turned golden, and whisked around the sidewalk in small, insignificant whirlwinds, rising off the ground as if by magic to fall again in new, undetermined places, making their way across the town as the wind deemed fit to carry them. He’d been watching her for a while, he supposed, as he’d never seen anyone meditate before, and quite suddenly, when Mrs. Beardsley opened her eyes, she noticed Peter through the frizzy tendrils of bangs that hung down into her eyes. 

She’d taught him a great deal about meditation since then, and had talked to him about the universe and cosmic things that Peter didn’t really understand.  But she’d always said that she felt she had been meant for something grand, and she thought that Peter was perhaps a part of that cosmic feeling that she had; that fate was in fact responsible for bringing him to her that day—a fate that was something like the wind that carried the leaves from one place to the next in what appeared to be an unplanned manner, but, according to Mrs. Beardsley, was in actuality, part of fate’s grand plan.

His Wednesday Family was an old couple on Welks Street named the Sorentinos.  They lived in a very old apartment above their Laundromat business, with an even older cat, named Muffins.  Muffins did not particularly like Peter.  He would hiss and growl at him every time he’d show up at the Sorentinos’ door, which he did like clockwork every morning at nine a.m.  The condo smelled like mothballs and garlic, but it was a homey smell that Peter had grown accustomed to, and he would spend a great deal of his time at the Sorentinos’, rustling around in their attic.  Mrs. Sorentino had found him there one day, and had shown him all of her husband’s old war pictures, love letters, and military paraphernalia.  Peter even saw his old rifle, but was not allowed to touch it or so Mrs. Sorentino had said.  

“Guns are dangerous,” she warned him, “We wouldn’t want you getting hurt.”

Then she would look at Peter and her old eyes would suddenly grow very sad, like there was something weighing on her mind.  Peter had thought that perhaps she was thinking of her son—or the son that he assumed she had, because of all the pictures around the attic of a little boy with chubby cheeks and dirty blond hair.  Sometimes he wanted to ask her about him, when she looked at him that way, but never managed to form the proper words to say.

Often times he would become so preoccupied with exploring the Sorentinos’ attic, that he would fall asleep on an old, leather trunk, with cracks along the edges, dreaming of wars and medals and intangible love that he had never felt—for a girl whom he had yet to meet.

On Thursdays, Peter would visit the Alabaster family on Euclid.  They lived in a huge, old mansion, that had been updated with every luxury man could possibly imagine, including granite counter tops, a marble floor in the foyer, and beautiful crystal chandeliers that illuminated the hallways with an eerie, glowing light, as if the sun itself were trapped within long, translucent icicles.  

Mr. Alabaster worked at a bank, and his two daughters were on the soccer team at Bellevue High.  His wife, Mrs. Alabaster, was a caterer, and spent most of her days in the kitchen, preparing pastries for local businesses and weddings.  Yet no matter how often Peter would appear at the Alabaster’s home, it seemed as if they had yet to truly accept him.  They would look at him at times in an off kilter way, as if they were looking through him, and not truly acknowledging his presence; their expressions would grow blank, and more often than not, they would simply pretend he wasn’t there.  Yet no matter how often Peter would tell himself that he should stop visiting the Alabasters on Thursdays, he would always find himself there, staring up at the large, imposing doors on Thursday morning, ringing the loud, menacing bell that announced his arrival as if he were someone great; a king, a knight, or even the mayor of the small, insignificant town—anyone but poor Peter, who really wasn’t anyone so special at all.

His Friday family was the Woodleys, which happened to be a very large family indeed.  There was Mrs. Woodley and Mr. Woodley; Mable, the oldest daughter and her husband, Frank; Benji, who was fifteen, Felix who was twelve, Rosie who was ten, and Uncle Will and Aunt Susie. Grandma and Grandpa Woodley would visit every weekend, along with their three old collies.  They lived in a dilapidated farm house in the middle of nowhere, and spent their days taking care of the animals and tending the corn fields which lined the old farm house in a giant, imposing maze.  Peter had been staying there since he’d first arrived several Fridays before, and had gotten lost in their chicken coup.  He had been discovered by little Rosie, who had told her father, Mr. Woodley, that there was a “strange little boy messing with the chickens.”  Ever since, Rosie had been Peter’s best friend, and they often spent long summer nights laying in the corn fields, gazing up at the bright summer stars, imagining that one day they would grow up and get married, buy a small lot of land, and build their own farm.  

Now it was Sunday, and Peter was walking the tracks, kicking the pebbles and thinking about his many families, which really were like one big family to him.  Maybe it was because of the darkness of the night, or perhaps it was because his thoughts were elsewhere; whatever the reason, that particular Sunday a train happened to be passing along the tracks that Peter so often walked.  Why a train should be on those tracks that particular Sunday was unfathomable to him.  Peter had lived beneath the tracks for as long as he could remember; and he couldn’t remember there ever being a train on Sunday.  Yet why things happen as they do is a question that very rarely offers any solutions or practical reasons.  To Peter, fate was much more like that little gust of wind that carried the leaves across the city in an undetermined path, that had no particular plan and sought to punish no particular leaf.  So when the train hit Peter, he didn’t really notice it at first because he didn’t feel much of anything at all; just the strange sensation of being pulled apart momentarily and then put back together again.  

That’s when he remembered what had happened.  How he’d been walking those very train tracks on a Somewhat Similar Sunday, not noticing the train as it approached, not noticing the warning whistle, not feeling the ground rumble as it encroached upon him.  It had felt different then, when the metal giant met his yielding flesh, yet the pain was only momentary.  And when he woke up again, he was in his home, beneath the tracks, the bright summer sun warming his pale skin and he thought that he felt much better than he’d ever felt before; quite well rested and ready for a new day.  He now realized how very much like those leaves he really was, being carried by the wind from place to place, having forgotten where he’d come from and which place he had once called home.  

But all that didn’t matter now, as he kicked another pebble, looking up at the dark, starlit sky, and watching the train disappear through the tunnel.  Soon he would forget again about what he was and go about his week as usual, the train leaving him behind, as if he’d never been there at all, a small, indiscernible wave of smoke, curling and bending, furling into the distance, disappearing now into the night. 

© 2010 Rebecca Huggins.  All rights reserved.
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ABOUT THE AUTHOR

Rebecca Huggins is the publisher and editor-in-chief of Black Lantern Publishing.  When she is not busy editing, reading, or admiring other people's artwork, she is usually writing her own tales of woe.  You can see more of Rebecca's works in our previous issues of Black Lantern Publishing, and you can learn more about the writer here.
 




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